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Sacred Grounds Clerihews

Dan Brady, host of the Sacred Grounds Reading Series

There’s nothing like getting obsessed over writing these paired and rhymed couplets. It’s a great way to learn about exact rhymes. My over-the-top enthusiasm is a bit scary for Jack Foley. He keeps shaking his hands: Stop! Stop! Quality, please. 

Well, just a few more, for the Sacred Grounds poets:

Laurie Hampton prints a poem
more stylish than a Russian goem

“Justice” is she
Say, can you see?

*

Bill Mercer dips his brushes
to make smudges and rushes

Buddha by the bayou
cooks red bean and rice for you

*

Don Brennan
fires a cannon

aims at the Empire
stakes it like a vampire

*
From Sacramento comes Kellyann Conway
with her GPS there’s only one-way

to Sacred Grounds she goes
on her tippy toes

*

Greg Pond
calm as a frond

takes you into darkness
exposes interior starkness

*
Deirdre Evan’s crypt
is plainly in her script

She is Mother Goose
who has since run loose

*
Christopher Trian gives you a head
in paint, without the lead

He’s tall as a tower
and boy, his voice is power

*
Carlos Ramirez dances
goes into trances

time is lost
in the frost

*
Owen Dunkel writes
the metaphor of kites

high flying are they
before diving into the bay

*

Buford Buntin has a story
that has nothing to do with fiori

he gives a helping hand
to a fallen kid in the sand

*

Foley starts the clerihews
When Hsu attempts they lose their hues

He begs her to stop
before the verses go flop

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Clerihews

Jack “Legs” Diamond and Peaches O’Toole. Chicago, 1929.

There’s nothing like a good dare. Jack Foley wrote:

Can Clara use
Clerihews

Or is their augury
Pettifoggery?

According to Jack, “The clerihew was invented in 1890 by Edmund Clerihew Bentley, who was a schoolboy of sixteen at St. Paul’s in London when the divine numen of Orpheus struck him.

 Francis Stillman’s The Poet’s Manual and Rhyming Dictionary (1965) says this: ‘The clerihew is a humorous pseudo-biographical quatrain rhymed as two couplets, with lines of uneven length, and often contains or implies a moral reflection of some kind. The name of the individual who is the subject of the quatrain usually supplies the first line.'”
So, here are a few to humor my friends:

S.P.Mackin
his lips are smack’in

He feeds on books
It’s the library that he cooks

*

Stephanie Manning
gets a lot of tanning

Berkeley to Davis she goes by rail
observes shell mounds along the trail

*

Dore Stein is a blast
he can run very fast

He’s a damn good pitcher
but it won’t make him richer

*

When Julia Hsu makes a moue
birds would fluster and begin to coo

she is someone’s yum-yum
and my sweet chrysanthemum

*

Everyone knows Daniel Brady
who is animated like O’Grady

Life of the party is he
Jokes and silliness are key

*

Wendy Wolters is a rare find
She is very kind

Writes poetry and sings and dances
melts you with her glances

*

Pity Jack “legs” not Diamond, but Foley
in a gangster hat, oh holy moly

He writes clerihews for all his buddies
except for those who are fuddy-duddies

*

Invite Jeanne Lupton to tea
Lipton wont’ do it, says she

Two pink flowers grow out of her hair
Surely they’re sharper than the ears of a hare

 

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