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Vision and Perception

Pablo Picasso, La Lecture

Do we see with our eyes or do we see with our mind?  Does vision go hand in hand with perception?  We arrange objects according to our own aesthetic.  What’s big, what’s important, what clutches our hearts are the things we talk about, write about, dance about, paint about.  They are the motifs that drive us and we see the world through these lens .

Colors reflect moods.  Composition brings the objects of desire to the foreground.  Lines are the dance.  Art is where the ego manifests itself.  There is no apology or humility, and the ones who are brave enough to expose their psyche are the innovators and boundary breakers.  This is what I got out of seeing the Picasso collection at the de young museum yesterday.

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Accordionism and The Folding Fan

Rummaging through Netflix the other night I came across Picasso and Braque Go to the Movies, a short documentary on how the birth of motion picture influenced the artists in their expressions.  Picasso and Braque impressed the concept of movements on the flat surface.  Like the folding and unfolding of the pleated bellow of the accordion and the Spanish fan, a woman’s turning face was not dissected but presented in a continuous, fluid manner.  Cubism all of a sudden no longer sounded cold and abstract to me, but full of energy and passion.  And art is passion.  How did I think it could be otherwise?

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