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The Deliverer

The version on youtube of TS Eliot reading his own work, The Love Song Of J Alfred Prufrock, is painfully uninteresting. There are a few other interpretations by various people.  Only one, a young, high-pitched voice, has the kind of edginess I imagine J Alfred to be; but the verses are chopped up by an infantile video interpretation.

It doesn’t take much to turn a great dramatic monologue into a bore, but it does take intention and integrity of the deliverer to bring out the essence of a poem.  Last night at the Sacred Grounds we had such a treat, when the featured poet Greg Pond received a standing ovation (a rarity) after his reading.

Besides his own poems, Greg chose to present the work of his friends.  He clearly worked on each poem to bring out the drama and music.  Greg personified the romance of Steve Mackin, the satire of Garrett Murphy, the mysticism of Jehanah Wedgwood, and the angst of Don Brennan.  He read our poems better than we have read them.  We were all giddy, after discovering a “side” of our poems that we had never imagined.  We swore to improve ourselves as we chattered non-stop like school children, walking out into the night.

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After the Beat, What Generation?

Carlos Ramirez. Click image to see Carlos perform.

For one thing, we don’t smoke anymore.  And instead of hard drugs, we take psychotic medications and depressant.   Alcohol, yes, but most of us has wised up.  Even coffee is replaced by tea.  Jack Hirschman and David Meltzer are still  holding up the Beat, but then what?  Poets are still poor, poetry reading is still free, thank God, at least in San Francisco.

The Beat Generation rose from the river of ever rushing  poetic fervor.  I don’t know who’ll be the next to go viral.  The cosmos still holds the upper hand in this matter.  But the gems are gleaming in cafes and salons, worthy of a much wider audience.  Last night at the Red Poppy Art House in the Mission, Carlos Ramirez and Greg Pond traded Langston Hughes in songs and verse with an attendance of twelve.  There was no photographer, no recorder.  The magic of Hughes’ poems sung with child-like joy by a nimble seventy-something year old Carlos of great white beard ceased to exist after the reading, except for those who were there.

 

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