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We Played Music

I felt the cold tonight. In a heatless storage unit turned music studio in Fremont my son Lawrence, his friend Cameron Brochier and I rehearsed for our February gig in Cotati.

Organizer Geri DiGiorno sounded a bit nervous on the phone when she found out my poetry reading would be accompanied by members of a rock band.  I assured her that the music would be more jazzy and bluesy.

But it was the distortion that added a special flavor to the poems.  Cameron was pleased that I asked for it and smiled broadly whenever I gave him a thumb-up on his riff.

When I pulled out my Native American drum Lawrence was unsure.  “Eh, we’ve never played with native instruments before.”

“No worries,”  I told him. “When one ends the other begins.”

We scored the poems, each contributing ideas and moods.  The cold was forgotten until we finished.  Then, it was bitter.

“Dinner?”  I suggested.

“No, we have to do our own rehearsal now.”

I left the guys in their freezer and drove home.

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Deadline?

Lawrence Hsu, bassist of Phoenix Ash

There’s no deadline in art.  Creation is a continuous process with periods of quiescence and activities.  Sometimes the medium changes from one form to another and you never know if you’re standing on the threshold of change.  Deadline is for functionality, demanded by those who feel they must have something tangible.  If you believe in art, you have to believe it all the way.  There is no justification.  There is no road map.  Faith is the only thing you hold on to.

Artists are misunderstood creatures often being labeled as dreamers and lazy bums.  No wonder they are depressed, living in an organized world that is measured by the dollar and goes by the ticking clock.  Pragmatic parents withholding their financial support or threatening to ostracize their children in order to kill the artistic tendency is one of the saddest things I witness being a teacher.  They have failed to see the courage behind the artist, taking the road least traveled, making a difference in the world.

Photo credit:  Lei Chen

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