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Shared. Not Burned.

Mackin Books Day 092213Evidences indicated that Steve Mackin might be present at the Poetry Hotel yesterday. There were periodic knockings that sounded like someone was at the door but when we opened it, in rushed a draft of cold air. Of course, each time we faced the unseen, we said, “C’mon in!”

And when I am dead
Let the dirges be sung
To the turban mad twirl
Of the dervish and Hun
On the field of twilight
As the moon mugs the sun

Bill Mercer opened the reading with Dylan Thomas’ In My Craft of Sullen Art, a poem Steve liked to recite when he attended a reading for the first time, or just for the love of it.  One of Steve’s poems was read too. Imagine him growling and cursing if  no one bothered to read his poems at his memorial Salon!

And when I am dead
I will leave not a mark
Except for these poems
That I carved on the heart
Of the veil of the night
As Venus fucks Mars

Steve’s friends came and went all day, picking from the thirty-four boxes of Steve’s books that his family gave away. The portrait of James Joyce (painted by Chris Trian and commissioned by Steve) looked on as we performed this intimate activity: going through one’s library that took years to build.

And when I am dead
Why then build me a pyre
Of my books and my poems
Consign me to fire
Oh sing then rude cantos
of the ruin of desire

We didn’t burn any books. If Steve’s poem was his last will, we certainly did not executive it properly. But no matter how fiercely the wind protested outside, Steve would have loved seeing his books taken up by appreciative hands. We all had a part of you now, Steve.

 

Photo by Vern Peralta.
When I Am Dead, by Steve Mackin.

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To the Wounded God

Steve-Mackin
click on image to hear Steve read his poetry.

“Cast a cold eye on Life, on Death. Horseman, pass by.” –W.B. Yeats

Steve,

I opened the reading at Sacred Grounds tonight, just like what you did for years. Except this time there was no “hear ye, hear ye!” but a sad announcement. Your poems led the way: Minotaur, A Thin Line Between the City and the Sea, and A Poem of the Wounded God. There were just a handful of poets there. Has the wind changed? The landscape that we found ourselves in five, six years ago is no longer, as we file out of the picture one by one.

The city, its streets and cafes, the crows outside your window, the luring women in North Beach and then the gyre and the spiral, the gods and goddesses and the myths… You preferred to wander in these vivid worlds than work at the bleak 9 to 5 job. You are a lover. A romantic. It was between Yeats’ tomb and San Francisco that your love affair lasted until the very end. But the heart, no matter how you look at it, was wounded.

 

 

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Seven

I believe seven is a magical number, that things change or enter a new dimension after seven years.  Tonight the Winter Poem Exchange Party arrived on the mark.  Looking back, it was amazing how it started as a whim, and how it has grown into a poetic tradition.

Last night an email from someone unknown:  I’m a visiting poet from the UK and would like to come to your party.  She came, told us that she is visiting the States and goes to three poetry events a day.

New friends, poems, music, stories.  Two readings happened in tandem upstairs and down every hour.  In between we feasted on  scrumptious food.

“I wish this is what we do for a living,” said Steve Mackin.

It was a wish made today, the beginning of a new “seven”.  Let’s see what happens when we arrive at the next mark.

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The Deliverer

The version on youtube of TS Eliot reading his own work, The Love Song Of J Alfred Prufrock, is painfully uninteresting. There are a few other interpretations by various people.  Only one, a young, high-pitched voice, has the kind of edginess I imagine J Alfred to be; but the verses are chopped up by an infantile video interpretation.

It doesn’t take much to turn a great dramatic monologue into a bore, but it does take intention and integrity of the deliverer to bring out the essence of a poem.  Last night at the Sacred Grounds we had such a treat, when the featured poet Greg Pond received a standing ovation (a rarity) after his reading.

Besides his own poems, Greg chose to present the work of his friends.  He clearly worked on each poem to bring out the drama and music.  Greg personified the romance of Steve Mackin, the satire of Garrett Murphy, the mysticism of Jehanah Wedgwood, and the angst of Don Brennan.  He read our poems better than we have read them.  We were all giddy, after discovering a “side” of our poems that we had never imagined.  We swore to improve ourselves as we chattered non-stop like school children, walking out into the night.

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Twenty Years, Twenty Poems

Steve Mackin at the SF Poetry TV Show. Click to watch.

At the end of the Thursday tarot soiree conversation turned to the internet and its effect on musicians.  The prevalent file sharing culture is challenging copyrights.  And if you protect and charge for your music chances are the audience will turn away from you and go to the ones that are giving out their music for free.

“Take Lady Gaga, for example,”  our pianist host Richard said, “she was giving her songs out for free until she built up a large following. She makes her money from her tours.”

I think of my friend Steve Mackin, who is always generous in giving out his poems.  Earlier in the year he read twenty poems in twenty minutes to commemorate his twenty years of writing poetry.  That and his most recent reading were accompanied by free books that he painstakingly printed, collated and stapled together.  I appreciate having the poems in my hands after a reading to savor at another time.  By giving, Steve’s poems are in circulation.  I don’t think anybody ever “burst” into a scene.  It all takes hard work, and Steve is planting the seeds.

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